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Weiss DAC 501/502 MK2 4ch

Produkttyp: Weiss DAC 501/502 MK2 4ch
Karaktär: DAC502-4ch använder ett större chassi men har i övrigt samma funktioner som DAC501-4ch. Förutom ett extra 4-stifts hörlursuttag på baksidan av enheten.
Byggkvalitet: Mycket hög, Weiss står för oerhörd kvalitet. Ett säkert kort!
Färg: Välj mellan silver och svart
Passar för: Sammantaget är Weiss DAC501-MK2-4ch designad för att ge förbättrad ljudkvalitet, mångsidighet och avancerade funktioner för audiofiler och entusiaster som söker en högpresterande digital-till-analog-omvandlare och nätverksspelare.

138,500kr149,500kr

Se alla betaltjänster:

KLARNA, DINTERO, PAYPAL, WASA

SKU: weiss-dac-501-502-mk2-4ch Categories: , , , Tags: ,
Brands: Weiss

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WEISS DAC 501/502 MK2 4CH
DAC501-MK2-4ch is Weiss 5 Series 2nd generation D/A converter and network renderer with unique DSP technologies. The different between DAC501 & DAC502 are 1) the width of the chassis 2) DAC502 has 4pin XLR headphone amplifier output. They have identical sound quality and features.

The DAC501 / DAC502 (or DAC50x in short) are extremely versatile and pleasantly sounding D/A Converters. They are available for close to 6 years now and still going strong. In our ongoing journey to achieve a live-like music reproduction we now introduce the Mark II versions, called the DAC501-4ch and DAC502-4ch. Our residential audio engineer, Joschka Weiss, says in comparison to the former DAC section the -4ch version “achieves another level of sonic performance”.

WHAT IS THE PURPOSE OF THE MK2-4CH VERSIONS?
The MK2-4ch versions use one of the latest DAC chips with stellar technical specifications. So the MK2-4ch versions make for an enhanced 2 channel DAC, with the same features as the DAC501 / DAC502 units sport. The sonic characteristics of the MK2-4ch versions are on a higher level with incredible transparency and openness. Both line output stages and headphone output stages are built with discrete electronics developed from the standard DAC50x.

All standard DAC50x units can be upgraded with the MK2-4ch version. It is a new analog section module to be installed in the unit plus a new software needs to be loaded. It is our goal to keep our equipment upgradeable for long-term securing of your investment. The standard DAC501 / DAC502 units we continue to manufacture.

In addition the MK2-4ch versions will be capable to play 4 channels simultaneously once we introduce the necessary software. This also with the goal to get a more live – like reproduction at home and to accommodate for the upcoming 3D Audio productions in a high-end HiFi setup where a very limited number of available speaker channels often is a matter of fact. This will be the future of high-end audio reproduction.

>> What 4 channel applications are planned?

Here is a list of 4 – channel features we have in mind. There is no guarantee that we will implement all of them, though. We would be pleased to get information from you about what 4 channel features you would like to see.

The audio sources for the setups mentioned below can be two or more channels. The input channels are automatically rendered such that they fit the format of the four outputs.

2 channel front speakers, 2 channel rear speakers for surround playback.
This setup adds another pair of speakers at the back for an enveloping sound.
2 channel front speakers, 2 channel front speakers at a different angle.
A very interesting setup for a more enveloping sound. Based on a design by the Swiss audio company “Pawel Acoustics”.
2 channel front speakers, 1 channel front center speaker, 1 channel subwoofer.
In early stereo times there have been made 3 channel recordings with left, right and center channels. The center channel is of great use for a realistic reproduction. The fourth channel can be configured to feed a subwoofer speaker.
2 channel front speakers, 2 channel subwoofers.
For a decent full range system, based on satellites and subwoofers, the use of a stereo instead of a mono subwoofer is advantageous.
2 channel front speakers with crosstalk cancellation, 2 channel rear speakers with crosstalk cancellation. Crosstalk Cancellation (XTC) means that a pair of speakers becomes kind of a headphone in that the left speaker only reaches the left ear and the right speaker only reaches the right ear – similar to a headphone. This has the effect of generating a huge soundstage in front of the listener with a very life-like reproduction of a life recording. By adding a second pair of XTC speakers at the back an enveloping life-like scenery can be achieved.
2 channel headphones type A, 2 channel headphones type B for two persons listening simultaneously with two different headphone models. Allows two persons to listen to the same music program each with his/her own set of headphones and signal processing.Some more “exotic” ideas which need some refinement in the design process:
2 channel front speakers, 2 channel front elevated speakers.
Another way to generate a more live – like sound with a sound stage which extends to the space above the listener. Similar to a concert hall speaker setup.
2 channel front speakers, 2 channel headphones for simultaneous listening via speakers and headphones.
With extremely open headphones it is possible to listen to speakers and headphones simultaneously. This makes for a new listening sensation not experienced before.
We are considering even more setup variants – let us know what you would like to see.

>> What technology is used?

The DAC501-4ch and DAC502-4ch units are based on the following hardware parts:

ARM processor for Network and USB interfacing and general control of the unit.
SHARC Signal Processor chip for various signal processing tasks including sampling frequency conversion and high precision volume control.
Extensive power supply with separate power transformers and many high precision voltage regulators.
Local, very low jitter clock generator for the D/A converter.
State of the art D/A conversion.
Discrete analog sections following the D/A conversion.
Very low impedance outputs.
Analog output level selection to accommodate for amplifiers and headphones.
The DAC501-4ch / DAC502-4ch are our new state of the art D/A Converters with an unprecedented level of sophistication and versatily.

The DAC502-4ch uses a larger frame but else sports the same features as the DAC501-4ch. Except for an an additional 4 pin headphone socket at the back of the unit.

With the DAC50x-4ch we are creating a new paradigm for what used to be a black box device. A typical D/A Converter is a “set and forget” device. Not so with the DAC50x-4ch. It adds a number of interesting signal processing features and sports a variety of digital inputs. Balanced, unbalanced and headphone outputs are provided.

Weiss Engineering has a 35 year history in D/A Converter design. In that time span we have learned a thing or two about converter design. The DAC50x-4ch is the essence of our experiences.

DAC501-4ch and DAC502-4ch are Roon Ready.

Ytterligare information

Specifications

TECHNICAL DATA

Power
Mains voltage: 100…120 V or 200…240 V
Fuse rating: 500 mA slow blow at 100…120 V, 250 mA slow blow at 200…240 V
Power consumption: 15 VA max.
Power consumption in standby: 0.5 VA max.

Size DAC501
Depth: 30 cm
Width: 18,8 cm
Height: 6,6 cm
Height with feet: 7,2 cm

Size Remote
Depth: 2,1 cm
Width: 4,5 cm
Height: 16,6 cm

Available Color
Silver, Black

Digital Inputs
(1) XLR connector
(1) RCA connector
(1) TOSLINK connector (optical)
(1) USB type B connector

(1) RJ45 Ethernet connector
All inputs accept professional or consumer standard , i.e. accept AES/EBU or S/PDIF signals
. Sampling frequencies: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz or 192 kHz on any of the inputs
Maximum input word-length: 24 Bits

Digital Outputs
none (Please see DSP501/DSP502)

Analog Outputs
(2) XLR connectors (hot on pin 2), short circuit proof output circuitry, output impedance tbd Ω
(2) RCA connectors, short circuit proof output circuitry, output impedance tbd Ω

The output level is selectable via the LCD menu; four settings are provided as shown below:

XLR Output:
8.15 Vrms +20.44 dBu with a 0 dBFS sine wave input
4.15 Vrms +14.57 dBu with a 0 dBFS sine wave input
2.12 Vrms +7.74 dBu with a 0 dBFS sine wave input
1.06 Vrms +2.72 dBu with a 0 dBFS sine wave input

These levels are achieved with a 0.0 dB setting for the level control on the LCD screen.

Suggested subsequent amplifier input impedances:
8.15 Vrms setting: 500 Ω or higher
4.15 Vrms setting: 300 Ω or higher
2.12 Vrms setting: 150 Ω or higher
1.06 Vrms setting: 70 Ω or higher

RCA Output:
4.08 Vrms +14.42 dBu with a 0 dBFS sine wave input
2.08 Vrms +8.55 dBu with a 0 dBFS sine wave input
1.06 Vrms +1.72 dBu with a 0 dBFS sine wave input
0.53 Vrms −3.30 dBu with a 0 dBFS sine wave input

These levels are achieved with a 0.0 dB setting for the level control on the LCD screen.

Suggested subsequent amplifier input impedances:
4.08 Vrms setting: 250 Ω or higher
2.08 Vrms setting: 150 Ω or higher
1.06 Vrms setting: 75 Ω or higher
0.53 Vrms setting: 35 Ω or higher

Headphone Output:
(1) stereo 1/4-inch jack connector, DC coupled, short circuit proof output circuitry. The output level is selectable via the LCD menu; four level settings are provided as shown below:

5.2 Vrms +16.53 dBu
2.7 Vrms +10.84 dBu
0.9 Vrms +1.30 dBu
0.2 Vrms −11.77 dBu

These levels are achieved with a 0.0 dB setting for the level control on the LCD screen.

Suggested headphone impedances:
5.2 Vrms setting: 100 Ω or higher with a 0 dBFS sine wave input
2.7 Vrms setting: 50 Ω or higher with a 0 dBFS sine wave input
0.9 Vrms setting: 16 Ω or higher with a 0 dBFS sine wave input
0.2 Vrms setting: 4 Ω or higher with a 0 dBFS sine wave input

Measurements Main Output

The measurements below have been taken at the following conditions (unless noted otherwise): 1 kHz measurement frequency, maximum selectable output level, 192 kHz sampling frequency (Fs), 22 kHz measurement bandwidth, unweighted, 0 dBr equals the output level at 0 dBFS input.

Frequency Response:
Fs = 44.1 kHz, Filter A, 0 Hz…20 kHz: within ±0.25 dB
Fs = 44.1 kHz, Filter B, 0 Hz…20 kHz: within ±1.3 dB
Fs = 88.2 kHz, Filter A, 0 Hz…20 kHz: within ±0.25 dB
Fs = 88.2 kHz, Filter A, 0 Hz…40 kHz: within ±0.8 dB
Fs = 88.2 kHz, Filter B, 0 Hz…20 kHz: within ±0.25 dB
Fs = 88.2 kHz, Filter B, 0 Hz…40 kHz: within ±1.5 dB
Fs = 176.4 kHz, Filter A, 0 Hz…20 kHz: within ±0.25 dB
Fs = 176.4 kHz, Filter A, 0 Hz…40 kHz: within ±0.8 dB
Fs = 176.4 kHz, Filter A, 0 Hz…80 kHz: within ±2.5 dB
Fs = 176.4 kHz, Filter B, 0 Hz…20 kHz: within ±0.25 dB
Fs = 176.4 kHz, Filter B, 0 Hz…40 kHz: within ±0.8 dB
Fs = 176.4 kHz, Filter B, 0 Hz…80 kHz: within ±3.5 dB

Total Harmonic Distortion plus Noise (THD+N):
116 dBr (0.00016 %) at −3 dBFS input level
125 dBr (0.000056 %) at −40 dBFS input level
125 dBr (0.000056 %) at −70 dBFS input level

Linearity:
At 0 dBFS to −120 dBFS input level: less than ±0.4 dB deviation from ideal

Spurious components (including harmonics):
At 0 dBFS input level, maximum output level, 1 kHz, all components at less than −120 dB
At 0 dBFS input level, maximum output level, 4 kHz, all components at less than −115 dB

Crosstalk:
Better than 120 dB, 20 Hz…20 kHz

Interchannel Phase Response:
±0.05° 20 Hz…20 kHz
±0.30° 20 Hz…80 kHz

Measurements Headphone Output
The measurements below have been taken at the following conditions (unless noted otherwise): 1 kHz measurement frequency, maximum selectable output level, 192 kHz sampling frequency (Fs), 22 kHz measurement bandwidth, unweighted, 0 dBr equals the output level at 0 dBFS input.

Frequency Response:
Fs = 44.1kHz, Filter A, 0 Hz…20 kHz: within ±0.25 dB
Fs = 44.1kHz, Filter B, 0 Hz…20 kHz: within ±1.3 dB
Fs = 88.2kHz, Filter A, 0 Hz…20 kHz: within ±0.25 dB
Fs = 88.2kHz, Filter A, 0 Hz…40 kHz: within ±0.8 dB
Fs = 88.2kHz, Filter B, 0 Hz…20 kHz: within ±0.25 dB
Fs = 88.2kHz, Filter B, 0 Hz…40 kHz: within ±1.9 dB
Fs = 176.4 kHz, Filter A, 0 Hz…20 kHz: within ±0.25 dB
Fs = 176.4 kHz, Filter A, 0 Hz…40 kHz: within ±0.8 dB
Fs = 176.4 kHz, Filter A, 0 Hz…80 kHz: within ±2.6 dB
Fs = 176.4 kHz, Filter B, 0 Hz…20 kHz: within ±0.25 dB
Fs = 176.4 kHz, Filter B, 0 Hz…40 kHz: within ±0.8 dB
Fs = 176.4 kHz, Filter B, 0 Hz…80 kHz: within ±3.8 dB

Total Harmonic Distortion plus Noise (THD+N):
−115 dBr (0.00016 %) at −3 dBFS input level
−122 dBr (0.0000795 %) at −40 dBFS input level
−122 dBr (0.0000795 %) at −70 dBFS input level

Linearity:
At 0 dBFS to −120 dBFS input level: less than ±0.4 dB deviation from ideal

Spurious Components (including Harmonics):
At 0 dBFS input level, maximum output level, 100 kΩ load, 1 kHz, all components at less than −120 dB
At 0 dBFS input level, maximum output level, 600 Ω load, 1 kHz, all components at less than −120 dB
At 0 dBFS input level, maximum output level, 300 Ω load, 1 kHz, all components at less than −120 dB
At 0 dBFS input level, maximum output level, 100 kΩ load, 4 kHz, all components at less than −120 dB
At 0 dBFS input level, maximum output level, 600 Ω load, 4 kHz, all components at less than −120 dB
At 0 dBFS input level, maximum output level, 300 Ω load, 4 kHz, all components at less than −115 dB

Crosstalk:
Better than 110 dB, 20 Hz…20 kHz

Interchannel Phase Response:
±0.15° 20 Hz…20 kHz
±0.50° 20 Hz…80 kHz

Version

DAC501, DAC502

Color

Black, Silver

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