Olympica Center.
Olympic Theatre: it is design, planning, harmony, proportions, acoustics, sensitivity, search for beauty, wonder, expert processing of materials, emotions. One of the greatest works of the Master and chief architect Andrea Palladio created before his death as a perennial gift to Vicenza, enriching it further with another precious gem and a universal example of beauty and ingenuity. True and exemplary values that all can enjoy and make their own thanks to their glorious and radiant presence. And Sonus faber created in this beautiful and fortunate land could not but make this teaching and principles its own since its very beginning, inextricably linking them to their own history and then applying them in its Musical instruments which proudly resonate with the harmony of the city and the art that inspired them. In acknowledgement of the unique legacy of Andrea Palladio, Sonus faber has decided to create Sonus faber Olympica, a sincere homage to the Olympic Theatre, temple of geometric pleasure in the voice of Music, the container in which sound seamlessly expands and an accurate reference model of acoustic enhancement.

The project.
Sonus faber wanted to create a family of speakers rich in design, evocative of those visual and tactile emotions characterized by its production. Wood and leather blend with timeless craftsmanship, the final result communicating a love and passion for music. The Sonus faber Olympica project is made up of a new family of passive acoustic speakers that will add to the existing catalogue from the Vicenza factory, characterized by the use of two iconic Sonus faber materials: walnut wood and leather. The launch of the new family has occurred in two phases. The first three models, Olympica I (2-way bookshelf), Olympica II (3-way floor-standing) and Olympica III (3-way floorstanding), has been presented to the world at the prestigious trade show Munich High End 2013 from 9 – 12 May, while Olympica Center has made its premier on September 2013.With this new project, Sonus faber has been able to balance quintessential style and significant elements of technological innovation, combining modernity with the classic stylistic canons of Sonus faber. This has been possible thanks to the enormous teamwork by the R&D department, headed by Paolo Tezzon and Livio Cucuzza, as well as a significant growth in terms of manpower and resources. The new Sonus faber Olympica line also represents the desire to offer a range of models that everyone can find the right solution in terms of use (two channel or home theatre) and space (bookshelf or floor-standing in various dimensions). While guaranteeing the Sonus faber historical quality in terms of materials, careful assembling performances and of course the exclusive charm of a loudspeaker made as a musical instrument and entirely produced in Italy.

cabinet
Cabinet is characterized by the use of natural walnut wood and solid walnut with magnificent joints in clear maple wood in the walnut finish and more traditional black maple in the graphite finish. The important difference lies in the particular asymmetry of the section introduced for the first time by Sonus faber.

aluminium stand
The bookshelf model benefits from a special anodized aluminum stand (derived from the evolution of the Guarneri model) that allows the speaker to take the correct inclination and, just like the floor models, is equipped with adjustable stainless steel feet to ensure stability and durability.

reflex
The last but significant aesthetic note is the unusual location and geometry of the side reflex port vertically designed and embellished with a perforated metal sheet placed in the vicinity of the long outlet.

tweeter
/midrange
29 mm dome Tweeter containing DAD technology deriving from the experience of Aida and neodymium magnet. 80 mm Midrange with a cone made of an original mixture of cellulose, kapok and kenaf.

woofer
150 mm Woofer with a cone made up of a sandwich of cellulose pulp membranes and rigid syntactic foam.